Shangwe's 3rd Anthology

Hair Power - Skin Revolution is a Shangwe produced anthology and will soon be available in the book shops and on-line distributors. The collection includes poetry and personal essay contributions from 48 authors, that explore the issues, interests, cultural and historical influences that have shaped their times and their imaginations.

The writers offer empowering and creative ways of understanding and relating to the themes of hair and skin. They tell their narratives, presenting their views in passionate, intelligent, humorous, strong and reflective voices.

The book launch will take place in June 2010. The first Reading Event will be held at the Poetry Cafe in Covent Garden, on 21st June 8-10pm.

To get your copy please order via email: nicole@shangwe.com Price £9.99 plus £1.80 postage and packing.

Open Notebooks

is created and curated by poet Karen McCarthy and commissioned by literature development agency Spread the Word.

Karen will be opening up her notebook to write 10 new poems online and sharing the creative process. The poems may include hyperlinks, image (video and stills) and audio trails. Karen is interested in how poetry intercepts with the web: in how what we write here could be unique and how that work is viewed/read by audiences.

For more information go to: http://www.opennotebooks.co.uk/

Spread the Word plan to launch this project in June.
http://www.spreadtheword.org.uk/

How books are sold

On 24th February, I attended a seminar held by The Society of Authors on How books are sold: What published authors need to know, which covered:

In the chain from publisher to reader, who is involved, and why?
When it comes to making money from the sale of a book, who gets what and why? Online bookselling: does it boost or risk destroying the market?

Representatives to discuss the above were:
Phil Edwards, Senior Buying Manager of Gardners, the UK's leading book wholesaler;
Fiona Kennedy, Head of Non-Fiction at Waterstone's, the UK's leading specialist bookseller;
Simon Skinner, Sales Director of Nielson BookData.

Being a new member of the Society of Authors, I didn't know what to expect. However, I was impressed, as the event was well organised, well attended (at least 500 people) and very informative.

I was particularly interested and somewhat inspired by Fiona Kennedy's presentation. Waterstone's are going through a period of transition and seemed open to hearing the audiences' strong views and opinions. What Waterstone's look for in a potential book is: content, cover, price, track record, E-book version, local market, new talent, new voices, and alot more.

I came away feeling that the book industry was less of a mystery!

http://www.societyofauthors.org/

Keeper of the Keys

I came across this poem in a book called Thinking for a Change by John C Maxwell:

Keeper of the Keys

You are the keeper of the keys
You are the Guard at the Gate
Waiting in line to go through that door
is LOVE. And also HATE.
In line to enter is GENTLE PEACE.
And also VIOLENT WAR.
You must choose who may, and who
May not come through the door.
INTOLERANCE tries to sneak on through
On wings of FEAR, or PRIDE.
It hides behind DREAMS of BELONGING,
And tries to sneak inside.
Oh! Be alert! You're the Guard who decides
Who GOES and who may STAY
You are The Keeper of the Keys to your Mind.
Who will you let in today?

The Art of the Personal Essay

The Art of the Personal Essay - An Anthology from the Classical Era to the Present - selected and with an introduction by Phillip Lopate

This book is a masterpiece in itself - it is a huge thick book spanning 777 pages - the introduction alone is comprehensive and breaks down the elements of a personal essay - The Conversational Element; Honesty, Confession and Privacy; The Contractions and Expansions of the Self; The Role of Contrariety; The Problem of Egotism; Cheek and Irony; The Idler Figure; The Past, the Local, and the Melancholy; Questions of Form and Style; Quotation and the Uses of Learning; The Personal Essay as Mode of Thinking and Being.

I discovered that for more than 400 years the personal essay has been one of the richest and most vibrant of all literary forms and this anthology celebrates this lively genre. The Art of the Personal Essay includes 75 essays, beginning with influential forerunners from ancient Rome (Seneca, Plutarch) and the Far East to the mastering of the form by its sixteenth-century founder, Michel de Montaigne; through the golden age of the English essay (from Addison & Steele and Samuel Johnson through Orwell and Woolf) to its variegated outcroppings in Europe, Asia, Latin America, and Africa, and its efforescence in the US.

Since reading this excellent resource, I have written a few personal essays - the freedom of the genre makes this my favourite way of expressing myself as well as writing poetry.

White-Washing of Black Books

In PRIDE Magazine, September 2009, I was outraged when I read an article, 'Judging a Book by its Cover' by Cynthia Lawrence. The novel LIAR, by Australian novelist Justine Larbalestier, is about a young African-American girl. The author was astonished to see a white face on the book cover, instead of the protagonist Micah, who has short, "nappy" hair.

This saga became the subject of a blazing race row with Bloomsbury Children's Books, the book's US publishers. After alot of fuss made from critics, bloggers and internet commentators, who blasted the evident "white-washing", Bloomsbury was forced to change the cover. However, the revised cover depicts a mixed-race girl with curly hair as opposed to the character of the black girl with nappy hair.

It seems that publishers still deem it as not financially viable to market book covers using black people, and many black books do not receive the same vigorous marketing. Although I was aware of the widely held assumption that white readers won't buy the book with a black face on the cover, I really thought the US of all places wasn't in this same ignorant league.

PRIDE magazine asks 'Have you ever come across a book cover that appeared to be "white-washed"? If so, they would like to hear from you. Email your comments to: info@pridemagazine.com

New African Woman

I have to give thanks to my writing buddy Christine Collymore for informing me about the New African Woman Magazine she had seen in her local newsagents in Wellingborough, Northamptonshire, especially as its first issue included two articles of particular interest to my current work on my Shangwe Hair & Skin Anthology, 'The politics of Black Women's hair' and 'What is the ideal Black Beauty? (the cover story). Those two pieces alone inspired me to rush to my local newsagents to track down a copy. However, this proved an almost impossible mission and I was at a loss as to why, in London of all places, I couldn't see this magazine in the shops!

Being a woman of substance I wasn't going to give up easily. Eventually, I ordered a copy from IC Publications and discovered that it may be easier to just subscribe rather than all this chasing around. I received my copy of New African Woman yesterday and all I can say is it was well worth the wait and little hassle getting hold of a copy. Yes, indeed, this first issue is very impressive. The Editor, Regina Jere-Malanda states her decision to launch the magazine as:

"We passionately believe that even though the publishing world is swamped with all sorts of women's publications, African women still have difficulty finding magazines that seriously tackle issues pertaining to their lifestyle, beauty, fashion and cultural needs. Where available, most women's publications target either the Caucasian, African-American or Caribbean markets, and give little coverage - or no coverage at all - to issues that pertain to the indigenous African woman and those in its Diaspora."

Now having read the magazine, Regina is spot on. I loved browsing the beautifully laid out pages full of colourful fashion & design, celebrity interviews, a special focus on Africa's women of influence, and a man's viewpoint on 'Say No to Sexual Objectification Full Stop! was particularly insightful reading. There is much more so I recommend you rush out and pick up a copy.

New African Woman Magazine is £4.00 per back issue and £16.00 for a one year subscription. However, it's £2.00 in the shops!

Contact: IC Publications on: 020 8950 9117

or email: icpubs@alliance-media.co.uk

http://www.africasia.com/