I felt compelled to buy My Song - A Memoir of Art, Race & Defiance by Harry Belafonte after watching him discussing the book on one of the Hay Festival sessions on SKY Arts in June this year. In November, I made a note in my journal:
'I'm not giving up on this book, although it's tedious start did almost bring me to an all time halt as I took time - leaving it to 'brew.' So far the story is full of interest re: the 60's - Civil Rights' Movement - his musical/film career and how he weaved politics into his world.
What is it I don't like? When Belafonte brings in the future at random, which doesn't add, it distracts (me the reader!) It's unnecessary detail, untimely, thrown in, a spanner in the works as it stops the narrative flow, causing much irritation. I wish his Editor (Michael Schnayerson) had picked this up; I would've!'
Am I being harsh? Maybe, but I'm being honest.
I'm not sure this book fits well as a memoir, more of an autobiography, since it is the story of Belafonte's life spanning from his birth to his seventies. It is an account of his life and his career as an international singer and actor. It's also a story of his journey on the front lines of his political activism.
It took me sometime to read as I dipped in and out and I did find certain sections hard work, but on the whole I gained a behind-the-scenes portrait of Belafonte's life and the many fascinating cultural and political figures he befriended along the way. The list is long and includes Martin Luther King, John F. Kennedy, Eleanor Roosevelt, Robert Kennedy, Fidel Castro, James Baldwin, Bob Dylan, Bill Clinton and Nelson Mandela.
My Song shows how powerful a determined human being can be. And for that reason alone, it is worth the read.
BIO:
Harry Belafonte grew up in Harlem and Jamaica. His 1956 album Calypso made him the first artist in history to sell more than one million LPs. From the early days of his career, he broke down barriers wherever he encountered them. His activism widened to a passionate involvement with the civil rights movement.
Links:
Follow@harrybelafonte on Twitter
www.singyoursongthemovie.com
www.facebook.com/harrybelafonte
Showing posts with label Book Reviews. Show all posts
Showing posts with label Book Reviews. Show all posts
Friday, 7 December 2012
Monday, 23 July 2012
Half of a Yellow Sun
Half of a Yellow Sun by Chimamanda Ngozi Adichie
On 22nd June I watched author Chimamanda Ngozi Adichie in one of the Hay Sessions 2012 on Sky Arts. In the session, the Nigerian author delivered her Commonwealth Lecture, which examined fiction as a catalyst for social and political change. There is no doubt about it, the author had an effect on me, which led me to selecting Half of a Yellow Sun to read.
In the video below, the novelist tells the story of how she found her authentic cultural voice - and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
In the video below, the novelist tells the story of how she found her authentic cultural voice - and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.
I am not usually attracted to historical novels and have to admit this is the first one I've read and thoroughly enjoyed; in fact it's one of the best books I've read this year and definitely one of my top five favourites.
Half of a Yellow Sun is the author's second novel, is extremely well written and captured my full attention, providing me with a sharp and realistic insight into the trials and tribulations faced by individuals dealing with trying to manage their lives during the Nigeria-Biafra war.
The novel is set in 1960's Nigeria. Three lives intersect. Ugwu, a boy from a poor village works as a houseboy for a university lecturer. Olanna, a young woman, has abandoned her life of privilege in Lagos to live with her charismatic new lover, the professor. The third is Richard, a shy Englishman in thrall to Olanna's enigmatic twin sister. When the shocking horror of the war engulfs them, their loyalties are severely tested as they are pulled apart and thrown together in ways that none of them imagined.
The story immerses you immediately into the multi-layered conflicts of the unfairness of love and war, of traditional versus tribal, of modern versus bureaucratic. You feel the effects of the pain, take relief in the joys and love that are weaved throughout the novel. You fall in love with the characters and all their uniqueness and flaws; human beings with their hopes and fears challenged on a daily, often hourly basis dealing with a time of war, of a rawness and harshness I hope I'll never have to endure in my life time.
Who was my favourite character? It has to be Ugwu, a key narrator, a 13 year old houseboy who reacts rather than acts, although as he grows and develops he does come into his own. I can still hear his voice, 'Yes, sah!' 'Good afternoon, sah!' maintained throughout. There are many scenes I could quote but this one shows his new self evolving:
'This is not a good house, mah,' Ugwu said.Olanna laughed. 'Look at you. Don't you know many people are sharing houses now? The scarcity is serious. And here we are with two bedrooms and a kitchen and living room and dining room. We are lucky to know an indigene of Umuahia.'Ugwu said nothing else. He wished she would not be so complacent about it.'We have decided to have the wedding next month,' Olanna told him a few days later. 'It will be very small, and the reception will be here.'Ugwu was aghast. For their wedding, he had imagined perfection, the house in Nsukka festively decorated, the crisp, white tablecloth laden with dishes. It was better they wait for the war to end, rather than have their wedding in this house with its sullen rooms and mouldy kitchen.'
I liked that the book focused on the experiences of a small set of people who were experiencing the conflict of love and war from very different points of view. When we step into their individual worlds, we don't know their every thought – the narrator who follows them isn't omniscient, which is what gives the novel its heart and strength.
If you haven't had the privilege of reading Half of a Yellow Sun, then I urge you to grab a copy of this literary masterpiece. I know I'm biased being a fan and all, but trust me, you will enjoy the book. Of course I'll be watching Chimamanda Ngozi Adichie closely.
Half of a Yellow Sun was first published by Fourth Estate in 2006. It won the Orange Broadband Prize for Fiction 2007.
Chimamanda Ngozi Adichie was born in Nigeria in 1977. She is from Abba, in Anambra State, but grew up in the university town of Nsukka, where she attended primary and secondary schools. Her short fiction has been published in literary journals including Granta, and won the International PEN/David Wong award in 2003. Purple Hibiscus, her first novel, was shortlisted for the Orange Prize and the John Llewellyn Rhys Prize, longlisted for the Booker Prize and was winner of the Hurston/Wright award for début fiction. Her short story collection, The Thing Around Your Neck, was published to critical acclaim in 2009. She lives in Nigeria.
Monday, 24 January 2011
New African Woman - Book Review
It's always a good thing to have your book reviewed so when Belinda Otas contacted me for an interview about Hair Power Skin Revolution, I eagerly accepted. The review has now been published in The New African Woman Magazine, Issue 8, (out now).
The New African Woman Magazine is such a refreshing read, full of inspirational articles and fashion that I can relate to. On page 58 Hair Revolution - has a special focus on why a lot of Black women are going back to their natural "roots" with an ever-growing number ditching the chemical relaxer and "human" hair weaves. (Hallelujah!)
The New African Woman Magazine was awarded 'Magazine of the Year' at the second annual Black Entertainment Film Fashion Television and Arts (BEFFTA) Awards, announced at the awards ceremony held last October.
To read the book review, (pages 96-98) please click on the following link:
http://headley.co.uk/headturner/NAWwinter2010
Wednesday, 30 September 2009
The Art of the Personal Essay
The Art of the Personal Essay - An Anthology from the Classical Era to the Present - selected and with an introduction by Phillip Lopate
This book is a masterpiece in itself - it is a huge thick book spanning 777 pages - the introduction alone is comprehensive and breaks down the elements of a personal essay - The Conversational Element; Honesty, Confession and Privacy; The Contractions and Expansions of the Self; The Role of Contrariety; The Problem of Egotism; Cheek and Irony; The Idler Figure; The Past, the Local, and the Melancholy; Questions of Form and Style; Quotation and the Uses of Learning; The Personal Essay as Mode of Thinking and Being.
I discovered that for more than 400 years the personal essay has been one of the richest and most vibrant of all literary forms and this anthology celebrates this lively genre. The Art of the Personal Essay includes 75 essays, beginning with influential forerunners from ancient Rome (Seneca, Plutarch) and the Far East to the mastering of the form by its sixteenth-century founder, Michel de Montaigne; through the golden age of the English essay (from Addison & Steele and Samuel Johnson through Orwell and Woolf) to its variegated outcroppings in Europe, Asia, Latin America, and Africa, and its efforescence in the US.
Since reading this excellent resource, I have written a few personal essays - the freedom of the genre makes this my favourite way of expressing myself as well as writing poetry.
Saturday, 14 June 2008
Dreams, Miracles and Jazz: New Adventures in African Writing, edited by Helon Habila & Kadija Sesay.
On 31 May 2008, I went to 'WORD FROM AFRICA', part of Africa Beyond http://www.africabeyond.org.uk/ - a day-long celebration of African literature and languages held at the British Museum.
My main reason for going was the launch of the anthology Dreams, Miracles and Jazz, which includes work from prize-winning and new African writers from all over Africa, the USA, Europe, Australia and Asia.
Contributors included Tony Mochoma (Kenya), Mamle Kabu (Ghana), Gitta Sumner (Sierre Leone), and Ken Kamoche (Kenya) who read from the book.
In this anthology of 25 writers, I have selected A Pocketful of Dreams by Jackee Budesta Batanda, shortlisted for the Caine Prize, as my favourite so far, as I am still reading the book.
A Pocketful of Dreams tells the story (politics) of the oppressive visa queue. With a blend of humour, tragedy, irony and joy (albeit short-lived), this first person narrative takes the reader right there with Taaka on her mission; her journey, which starts at 4am when the special taxi drives her to the British High Commission in Uganda.
On arrival the visa line has already expanded into hundreds of eagerly and anxiously anticipating individuals, all waiting for 8.30am when the consulate offices open 'and the privileged few for the day are let in.' During this anticipation, the waiting game is vividly and tensely portrayed and I felt like I couldn't stand the suspense (and couldn't put the book down either). During those hours that seem like days, tragedy happens, by way of a commotion among 'the unchosen that have been told to come back next week' and a boy faints and dies.
Eventually, Taaka gets her visa and three days later flies on board Emirates Air with a pocketful of dreams...and multi stops - Entebbe-Nairobi-Dubai-London. Her journey takes her to Terminal 4 in England, followed by a tube ride to Wood Green Station in North London, where her mother's friend Anika meets her.
On route through London's overwhelming underground maze, Taaka has a 'friendly' encounter with a gay man from Paris, an auto cation with a girl who Taaka can't help staring at, and more. If that isn't enough for Taaka's first day in England, there is more than a few challenging tube encounters to deal with as her pocketful of dreams are beginning to fade into the realities of her new life in England as Anika briefs her 'about the rules.'
Taaka finally meets her mother who has covered up Taaka's identity and introduces her to her husband as her sister. Taaka's first day ends with her dreaming 'about the boy who fainted and died in the line at the Consulate.'
I've never been to Uganda, but writer Jackee Budesta Batanda's sense of place made me feel as if I had been there. Not only does the writer make me see the things she sees, she makes me feel the things she feels.
A Pocketful of Dreams is extremely well written and captured my full attention, providing me with a sharp and realistic insight into the realities and traumas faced by individuals seeking an adventure into the unknown, with hope and faith, with great and sometimes mythical expectations. Individuals whose drive and faith won't let them give up as they negotiate their way through the world of rigid officialdom - the chosen few will 'escape', to start a new life and join their relatives.
Judging by this contribution, I look forward to reading the rest of the anthologies' new adventures in African writing.
Jackee Budesta Batanda lives in Kampala, Uganda. She was the Africa Regional Winner of the 2003 Commonwealth Short Story Competition, and was short-listed for the Macmillan Writers Prize for Africa 2004. Her story Remember Atita was highly recommended by the judges of the Caine Prize, 2004. She has been Writer-in-Residence at Lancaster University. Her stories have been broadcast on the BBC and around the Commonwealth. She is a member of the Uganda Women Writers Association (FEMRITE).
Dreams, Miracles and Jazz: New Adventures in African Writing was first published by Picador Africa 2008 an imprint of Pan Macmillan South Africa.
My main reason for going was the launch of the anthology Dreams, Miracles and Jazz, which includes work from prize-winning and new African writers from all over Africa, the USA, Europe, Australia and Asia.
Contributors included Tony Mochoma (Kenya), Mamle Kabu (Ghana), Gitta Sumner (Sierre Leone), and Ken Kamoche (Kenya) who read from the book.
In this anthology of 25 writers, I have selected A Pocketful of Dreams by Jackee Budesta Batanda, shortlisted for the Caine Prize, as my favourite so far, as I am still reading the book.
A Pocketful of Dreams tells the story (politics) of the oppressive visa queue. With a blend of humour, tragedy, irony and joy (albeit short-lived), this first person narrative takes the reader right there with Taaka on her mission; her journey, which starts at 4am when the special taxi drives her to the British High Commission in Uganda.
On arrival the visa line has already expanded into hundreds of eagerly and anxiously anticipating individuals, all waiting for 8.30am when the consulate offices open 'and the privileged few for the day are let in.' During this anticipation, the waiting game is vividly and tensely portrayed and I felt like I couldn't stand the suspense (and couldn't put the book down either). During those hours that seem like days, tragedy happens, by way of a commotion among 'the unchosen that have been told to come back next week' and a boy faints and dies.
Eventually, Taaka gets her visa and three days later flies on board Emirates Air with a pocketful of dreams...and multi stops - Entebbe-Nairobi-Dubai-London. Her journey takes her to Terminal 4 in England, followed by a tube ride to Wood Green Station in North London, where her mother's friend Anika meets her.
On route through London's overwhelming underground maze, Taaka has a 'friendly' encounter with a gay man from Paris, an auto cation with a girl who Taaka can't help staring at, and more. If that isn't enough for Taaka's first day in England, there is more than a few challenging tube encounters to deal with as her pocketful of dreams are beginning to fade into the realities of her new life in England as Anika briefs her 'about the rules.'
Taaka finally meets her mother who has covered up Taaka's identity and introduces her to her husband as her sister. Taaka's first day ends with her dreaming 'about the boy who fainted and died in the line at the Consulate.'
I've never been to Uganda, but writer Jackee Budesta Batanda's sense of place made me feel as if I had been there. Not only does the writer make me see the things she sees, she makes me feel the things she feels.
A Pocketful of Dreams is extremely well written and captured my full attention, providing me with a sharp and realistic insight into the realities and traumas faced by individuals seeking an adventure into the unknown, with hope and faith, with great and sometimes mythical expectations. Individuals whose drive and faith won't let them give up as they negotiate their way through the world of rigid officialdom - the chosen few will 'escape', to start a new life and join their relatives.
Judging by this contribution, I look forward to reading the rest of the anthologies' new adventures in African writing.
Jackee Budesta Batanda lives in Kampala, Uganda. She was the Africa Regional Winner of the 2003 Commonwealth Short Story Competition, and was short-listed for the Macmillan Writers Prize for Africa 2004. Her story Remember Atita was highly recommended by the judges of the Caine Prize, 2004. She has been Writer-in-Residence at Lancaster University. Her stories have been broadcast on the BBC and around the Commonwealth. She is a member of the Uganda Women Writers Association (FEMRITE).
Dreams, Miracles and Jazz: New Adventures in African Writing was first published by Picador Africa 2008 an imprint of Pan Macmillan South Africa.
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