Monday, 23 July 2012

Half of a Yellow Sun


Half of a Yellow Sun by Chimamanda Ngozi Adichie

On 22nd June I watched author Chimamanda Ngozi Adichie in one of the Hay Sessions 2012 on Sky Arts. In the session, the Nigerian author delivered her Commonwealth Lecture, which examined fiction as a catalyst for social and political change. There is no doubt about it, the author had an effect on me, which led me to selecting Half of a Yellow Sun to read.

In the video below, the novelist tells the story of how she found her authentic cultural voice - and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.



I am not usually attracted to historical novels and have to admit this is the first one I've read and thoroughly enjoyed; in fact it's one of the best books I've read this year and definitely one of my top five favourites.

Half of a Yellow Sun is the author's second novel, is extremely well written and captured my full attention, providing me with a sharp and realistic insight into the trials and tribulations faced by individuals dealing with trying to manage their lives during the Nigeria-Biafra war.

The novel is set in 1960's Nigeria. Three lives intersect. Ugwu, a boy from a poor village works as a houseboy for a university lecturer. Olanna, a young woman, has abandoned her life of privilege in Lagos to live with her charismatic new lover, the professor. The third is Richard, a shy Englishman in thrall to Olanna's enigmatic twin sister. When the shocking horror of the war engulfs them, their loyalties are severely tested as they are pulled apart and thrown together in ways that none of them imagined.

The story immerses you immediately into the multi-layered conflicts of the unfairness of love and war, of traditional versus tribal, of modern versus bureaucratic. You feel the effects of the pain, take relief in the joys and love that are weaved throughout the novel. You fall in love with the characters and all their uniqueness and flaws; human beings with their hopes and fears challenged on a daily, often hourly basis dealing with a time of war, of a rawness and harshness I hope I'll never have to endure in my life time.

Who was my favourite character? It has to be Ugwu, a key narrator, a 13 year old houseboy who reacts rather than acts, although as he grows and develops he does come into his own. I can still hear his voice, 'Yes, sah!' 'Good afternoon, sah!' maintained throughout. There are many scenes I could quote but this one shows his new self evolving:

'This is not a good house, mah,' Ugwu said.
Olanna laughed. 'Look at you. Don't you know many people are sharing houses now? The scarcity is serious. And here we are with two bedrooms and a kitchen and living room and dining room. We are lucky to know an indigene of Umuahia.'
Ugwu said nothing else. He wished she would not be so complacent about it.
'We have decided to have the wedding next month,' Olanna told him a few days later. 'It will be very small, and the reception will be here.'
Ugwu was aghast. For their wedding, he had imagined perfection, the house in Nsukka festively decorated, the crisp, white tablecloth laden with dishes. It was better they wait for the war to end, rather than have their wedding in this house with its sullen rooms and mouldy kitchen.'

I liked that the book focused on the experiences of a small set of people who were experiencing the conflict of love and war from very different points of view. When we step into their individual worlds, we don't know their every thought – the narrator who follows them isn't omniscient, which is what gives the novel its heart and strength.

If you haven't had the privilege of reading Half of a Yellow Sun, then I urge you to grab a copy of this literary masterpiece. I know I'm biased being a fan and all, but trust me, you will enjoy the book. Of course I'll be watching Chimamanda Ngozi Adichie closely.

Half of a Yellow Sun was first published by Fourth Estate in 2006. It won the Orange Broadband Prize for Fiction 2007.

Chimamanda Ngozi Adichie was born in Nigeria in 1977. She is from Abba, in Anambra State, but grew up in the university town of Nsukka, where she attended primary and secondary schools. Her short fiction has been published in literary journals including Granta, and won the International PEN/David Wong award in 2003. Purple Hibiscus, her first novel, was shortlisted for the Orange Prize and the John Llewellyn Rhys Prize, longlisted for the Booker Prize and was winner of the Hurston/Wright award for début fiction. Her short story collection, The Thing Around Your Neck, was published to critical acclaim in 2009. She lives in Nigeria.

Saturday, 21 July 2012

Invocation to the Spirit of Inspiration

Introducing: Jo Waterworth, a poet and ceramic artist who has lived in Glastonbury for over twenty-five years. She has had stories, poems and articles published over the years but keeps avoiding ‘success’ in case it changes her life. She also sings with an award-winning community choir.


INVOCATION TO THE SPIRIT OF INSPIRATION

Come to me gently, like a soft breeze caressing my neck.
Let me feel you as a lover
kissing my body on every sensitive skein of skin.
Run your fingers through my hair.
Fill my in-breath with scent – let me smell roses and dung,
river banks and hot dry sting of deserts.
Fill my out-breath with warmth, with moisture for weeping,
and for watering new growth.
Lift my soul like a thermal so I may soar,
circling far above the earth with clear vision.
Hold me on light wings, outstretched to sense
every nuance and shift in current.
Blow me to new places where I might settle like dust,
barely visible but covering everything.
Blow me through trees and mountains,
across lakes and oceans, into distant cities.
Blow me through time itself –
wreck my life if you must.
I will give myself to you, trust in you,
use you wisely, recognize you in others,
lead others into your ways.
I will experience you fully, all my senses wide open to you,
greatest of lovers.
I will give my mind to you,
every hidden crevice, every forgotten drawer,
every creaking floorboard.
I will invite you to inhabit the cathedral of my mind;
I will make effigies of you for others to worship;
I will sing hymns to you with harmonies divine;
I will sit in silent contemplation waiting for your presence.
I will marry myself in your sight, and keep faith with my vows.
I will name you a thousand-fold, heap praises upon you,
and breathe in your grace until my last expiration
when I hope to be joined with you in everything.                                            

JMW 06-12


Saturday, 23 June 2012

Hay Sessions 2012

The great minds of the literary and cultural world gather at the Hay Festival in May.  With the Hay Sessions you get to enjoy some of the excellent talks, events and musical treats held throughout the ten-day Hay Festival - available to view on Sky Arts.  Particularly entertaining and satisfying was Harry Belafonte, who discussed his new book My Song: A Memoir of Art, Race & Defiance.  So hooked was I that I just had to order the book immediately.

Next worth a mention was Julien Clary discussing his new book, Briefs Encountered - a witty and stylish ghost tale featuring Noel Coward.  Julian uses art (writing) to work out his own life issues.  I'm yet to order this book which is laid out like a play, and written in scenes.

My all time favourite (to-date) has to be Chimamanda Ngozi Adichie, a Nigerian author of Purple Hibiscus and Half of the Yellow Sun who delivered her exquisite Commonwealth Lecture who discussed why she writes, the magic and craft of writing, and examined fiction as a catalyst for social and political change.  It is so true that our lives are effected by politics wherever we live and it must be a wonderful art to be able to write realistic fiction in this way.  Chimamanda's quotes were also worth noting here, my favourite being:
Writers go out of their way to secure their solitude and then having secured it, they go out of their way to squander it. (A US Writer)




Saturday, 7 April 2012

Writing for Personal & Spiritual Growth

Today I led a Creative Writing for Personal and Spiritual Growth workshop at Wisdom Moon Holistic Centre, located in Wellingborough, Northamptonshire. Wisdom Moon is devoted to individual spiritual development and healing through an enlightened education programme, presented in calm and peaceful surroundings allowing the heart to open, the mind to still and the body to relax.  Wisdom Moon provides a place where like-minded souls can meet and offers a warm welcome, help and advice on the path and a range of services, therapies, classes and resources to aid wellbeing, spiritual work and personal growth as well as a lovely shop and tearoom.

Attendees on the workshop learned how to tap into their personal and spiritual path using creative writing with a focus on poetry and keeping a journal. 

Workshop Content included:

Short Meditation "Be here now" (courtesy of Ram Dass, author and spiritual teacher)
What is a Spiritual Path?
The scope of writing for personal and spiritual growth
Writing Forms - Poetry
Keeping a Journal
How a Journal is Different from a Diary
Journalling Tools
Online Journalling

This was the first creative writing workshop that the attendees had participated in and judging by their feedback they all felt enthusiastic about attending follow up writing workshops so plans are underway to establish a poetry writing course/workshop.

To find out more about writing at Wisdom Moon, call: 01933 770494

Friday, 9 March 2012

Hair Power Skin Revolution - International Women's Day


On 8th March 2012, Shangwe Creative Arts and Nabru Enterprise held a Hair Power Skin Revolution Relaunch and Book Reading Event to celebrate International Women's Day.  The event took place at Bailey's Wine Bar in Wellingborough, Northamptonshire.

I shared the inspiration for the book, which was a hairstories blog http://www.hairjournal.blogspot.com/ that I did as part of Black History Month 2008; my role as Editor and the publishing process and the future of e-books.

Readings followed from Christine Collymore who read two of her contributions: a poem from the skin section called U HEAP of SKIN and a personal essay from the hair section called Unwritten Rules.  Leaya Collymore read her poem Black from the skin section and an updated version that she had written that day especially for the event.

Networking followed and discussions led to the possibility of establishing a Writer's Support Group and monthly Poetry Club night.  Watch this space...

Photos in ascending order:
Leaya Collymore
Christine Collymore

Tuesday, 6 December 2011

LA Experience!

Los Angeles (LA) is often billed as the “Creative Capital of the World”, due to the fact that one in every six of its residents works in a creative industry. So, it was with much excitement that I arrived in LA on Thanksgiving (24th November) and spent 10 days there checking out whether this fact was accurate. It is!

The performing arts play a major role in LA's cultural identity and I felt that almost immediately – well the 2nd night actually, when I went along with my friend Mekada Graham, to Santa Monica beach, a very cool place where we came across a few talented street performing artists. First up was Naia Kete http://www.naiakete.com/ who sang and played guitar with two other musicians – fabulous! Then something completely different in the name of street violin performed by Josh Vietti http://www.joshvietti.com/ who is on his way to becoming the world's premier Pop violinist. Josh brings the two worlds of classical music and pop together in an original manner that has not been done before. He crosses genres, ethnicities and age – brilliant!

Next it was the California African-American Museum (CAAM) http://www.caamuseum.org/ Walking through the doors at CAAM and into the galleries, the impact of history, beauty and discovery can take your breath away. It began with Women: Game Changers, the giant banners celebrating 70 women of colour and achievement, their names and greatness undervalued, lesser known and here celebrated. In the Gallery of Discovery, we honoured the nameless, faceless ones who made it possible for African Americans to grow in power and beauty. Miguel Covarrubias was enchanted by the sights, sounds and colours of African American people. He captured that throughout his career.

In Places of Validation, Art and Progression, history and art kept unfolding as we looked deeper into what the world was like for Black artists, collectors, galleries and other institutions between 1940-1980. Just walking through, standing, looking and soaking up history, ancestry, I was left with a great insight into just what these people had done. It felt triumphant.

A thoroughly wonderful historic experience was a visit to The Getty Villa, which is dedicated to the arts and cultures of ancient Greece, Rome, and Etruria and modeled after the Villa dei Papiri, a Roman country house in Herculaneum buried by the eruption of Mount Vesuvius in A.D. 79. Because most of the Villa dei Papiri remains excavated, many of the Getty Villa's architectural details are based on elements drawn from other ancient Roman homes in the towns of Pompeii, Herculaneum, and Stabiae.

Over 1,200 works of art from the J. Paul Getty Museum's permanent collection of Greek, Roman and Etruscan antiquities are on view at the Getty Villa. The galleries, organised by theme, include Gods and Goddesses, Dionysos and the Theatre and Stories of the Trojan War, among others. I particularly enjoyed the gardens; the Outer Peristyle, Inner Peristyle, Herb Garden, and East Garden, which are planted with species from the Mediterranean region.

On 29th November, my friend Mekada had arranged for me to do a talk at the California State University Dominguez Hills (CSUDH) http://www.csudh.edu/  where she is an Associate Professor. I shared a summary of my freelance work in the field of literary arts over the last 15 years, which included studying, writing, editing, community development/activist work, guest appearances on mainstream radio, book productions and readings, hosting monthly Shangwe Poetry events at the Poetry Café and much more.

CSUDH is located in a 346-acre campus and educates the most ethnically and racially-diverse student body in the US. Hispanic people comprise 40% of the student body, and African-American people 31%. White people represent 18% while 6% are Asian or Pacific Islander people and 0.6% are American Indian. CSUDH serves one of the poorest areas of LA County.

One totally unexpected and pleasant surprise was discovering that one of my favourite icons of the 70s was appearing at Hammer Museum http://www.hammer.ucla.edu/ on 1st December – what a great start to the month! The legendary Angela Davis and author Robin Levi participated in Hammer Conversations debating recent work, which has focused on incarceration and the criminalisation of communities that are most affected by poverty and racial discrimination. Angela Davis' most recent books are Abolition Democracy:Beyond Prisons, Torture, and Empire and Are Prisons Obsolete? A book signing followed the conversation, where I made several attempts to take some pictures.

Then it was a quick look at Now Dig This! Art and Black Los Angeles 1960-1980, a comprehensive exhibition, which examines the vital legacy of the city's African American visual artists, who – through their work and their connections with other artists from a variety of ethnic backgrounds – made up an important part of the creative community. Including 140 works by 35 artists, many of whom are not well known to the public, Now Dig This! expands the art historical record, placing the work of these African American practitioners within the context of the movements, trends, and ideas that fuelled the arts in Los Angeles during this period. Many of these artists also responded to the civil rights and Black Power movement, and their work reflects the changing sense of what constituted African American identity and American culture.

Photos in ascending order:
Naia Kete;
Naia Kete and her band;
Josh Vietti;
Nicole Moore at California African American Museum;
Nicole Moore at the Getty Villa;
Angela Davis at her book signing at Hammer Museum.

Wednesday, 9 November 2011

The Digital Way

On 8th November, I attended The Digital Way, a Spread the Word's Writers' Autumn Programme event in association with Foyles at Charing Cross Road, London.  This was a discussion on digital opportunities for writers. 

The Panel consisted of:

Charles Beckett
Relationship Manager - Digital and Creative Economy, Arts Council London.
Charles helps organisations and writers take advantage of digital technology.  He has worked with a number of publishers and writers on their digital projects and commissioned a report from the Institute for the Future of the Book on Digital Possibilities for Literature in 2008.

Dan Franklin
Digital Editor, Random House.
Dan is responsible for direct-to-digital commissioning, cross-group digital publishing initiatives and consultant to the publishing divisions on various digital projects.  He was previously digital editor at Canongate Books.

Danuta Kean
Publishing Analyst and Cultural Commentator.
Danuta's work appears in national media, including the Financial Times, Independent on Sunday and Daily Mail.  She is currently Books Editor for Mslexia magazine and Deputy Director of The Creative Enterprise Cenntre at Brunel University where she teaches the Creative Writing MA.

I soon learned that there have never been so many opportunities for writers to reach readers.  E-books, apps, social media, podcasts and self-publishing have enabled writers frustrated by traditional publishing to find a market for their work that is alive with creative opportunities.  Along with these opportunities are the challenges as many more writers are using innovative ways to create and produce their work making this just as competitive as the more traditional publishing methods.  It is therefore important that you judge the best route for yourself.

Content is important; a strong voice is essential and targeting communities is one way of getting your voice heard.  Using social media, e.g. Twitter, Facebook, etc, can ensure you engage with your audience in ways that can open up all kinds of opportunities.  Blogs can also help as you can post a sample of your work and request comments/feedback.  Readers then become much more valuable to you as you interact with them in your specialist field.

As for self publishing, I was pleasantly surprised to hear that publishers are interested in new writers particularly those who have a successful writing platform already, so it is worth getting in touch with them.

To find out more about Spread the Words' Autumn Programme visit:
http://www.spreadtheword.org.uk/